New Portland Workshop, Moonrise Shoots and Apple's New Mac Pro.

(Links Below) I'm planning a moonrise shoot for my summer 2020 Portland, Oregon workshop, so I thought I'd share my process for being in the right place to incorporate the moon into landscapes and cityscapes. I'll show you how to use a combination of phone apps and website to figure out where to set up. Afterwards I talk a bit about Apple's new Mac Pro specs and build options and then take some questions about Nikon's Z6 and Z7 cameras. Finally I'll show some cool updates in the latest version of my favorite camera strap.

Upcoming Portland, Oregon workshop

February 2020 Kauai Workshop

Newly updated links to all the gear I use

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The Photographer's Ephemeris Webapp

Sun Surveyor Phone App

Photo Pills Phone App

Thanks to everyone for the great questions you are sending in. Keep them coming either in the comments below or by emailing me directly.

Approaching The Scene 016: Low-light Handheld Photography

I just wrapped up leading a workshop to photograph a candlelit festival in Mexico. We went light and handheld relying on the incredible high ISO performance of our modern digital sensors with fast prime lenses. In this video I'll pass along some of the lessons we learned while taking you on a tour of Michoacan and it's Dia de Muertos festival. It was a blast.

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That Nikon 105 f1.4 I'm raving about

ATS 015: Packing for Dia De Muertos in Michoacan

When this episode goes live, I'll be teaching a workshop in Michoacan Mexico for Dia de Muertos (Day of the Dead). One of my favorite celebrations in one of my favorite places. Choosing what gear to pack for a big trip like this -- it's one of the hardest things we photographers have to do. Here I'll show you what I'm taking with me on a trip that combines handheld, low-light street photography with landscape and travel. All the gear I showcase is linked below.

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ATS 014: Sharpening & Noise Reduction When & How

Lets talk about noise reduction and sharpening. I've had a lot of questions about when to sharpen images as well as how to sharpen and do noise reduction both in Adobe's Lightroom and ON1's Photo RAW. In this video I'll talk about when sharpening makes a difference and show you my workflow in both Lightroom and ON1's brand new Photo RAW 2019 which I'm beta testing for them.

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ATS 013: How to Clean Your Sensor

Eventually it happens to everyone, You get back from a shoot and find your images are littered with sensor dust. As an photographer of kiteboarding, mountaineering and desert adventures I have to constantly check and clean my sensor. With mirrorless cameras and their exposed sensors, the problem is even worse. In this video I'll show you how to clean your sensor and then take a question about slotted filters vs round filters.

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Sensor Gel Stick (approved for Sony), Sensor Light, and Rocket Blower

My Wet Cleaning Sensor Video Course

Links to all my gear

ATS 012: A Lightweight, Affordable Fluid Head System

If you follow me, then you know I think fluid heads are much better than ball heads for both stills and video. I'm frequently asked whether there is a lighter and/or more affordable fluid head solution. Well — I've found this Benro system that is both. At $350 for the carbon legs, leveling base and head, it's a screaming deal. At 5 pounds, it's surprisingly light for a solid fluid head that goes to eye level without raising the center column. At the end I cover a question about using step up adaptor rings with filters.

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Benro 5-Pound fluid head system and Clamp

Links to gear

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Pickup my Pano eBbook.

Direct Download

ATS 011: Focus Blending, Focus Breathing, & Fall Color

Sometimes it's impossible to get a single sharp image from the foreground to the background even stopped down to a narrow aperture with a wide angle. That's where focus blending (or stacking) comes in. What is focus blending and how does focus breathing complicate using this technique? Watch and I'll demystify that and show how I overcome focus breathing in the process.

It's fall and the colors are changing here in Portland. I'll work through a focus blended fall color image to show how this technique works while answering some questions and giving a sneak peak of my new Syrp Genie II Linear motion controller.

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ATS 010: Capturing a Lowlight Scene Handheld

Skeletons, candles, children on the street late at night -- no this isn't Halloween -- it’s Michoacan's Dia de Muertos (Day of the Dead) celebration. In this video I'll take you on a tour of this incredible place and cultural event while I cover how I created one of my favorite images of moving subjects handheld in low light. Spoiler alert: I had to leave an incredible margarita melting away to capture it. From equipment choice and settings to having the right state of mind, I'll cover how I approached this scene.

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 I'm headed back to Michoacan with a very small group of photographers in late October for a special, all-inclusive workshop. A last minute cancellation has left a couple of spots open. If you're interested, more details are here.

ATS 009: Creating Mount Hood Panoramic Merger

Here's how I captured one of my favorite panoramic mergers ever. Getting lost in dark, snowy woods, nearly stepping off a corniced cliff, barely sleeping , scaring my wife to death --- yeah that all happened on this trip and it was worth it. In this video I'll share the story of this adventure with photos and time-lapse while I detail the research, planning, equipment and technique that I used to capture a crescent moon rising over Mount Hood in winter.

About Approaching The Scene: https://www.hudsonhenry.com/ats

Submit a Question: questions@hudsonhenry.com

Links to gear: https://www.hudsonhenry.com/atslinks

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Patagonia's Blog Feature: Scott Briscoe

I'm happy to have provided images for my friend Scott Briscoe's recently published article on Nature and the Opportunity to Build Diverse Coalitions. It's up on Patagonia's blog The Cleanest Line and I hope you'll take a moment to read it. 

Scott and I met on Denali while filming An American Ascent, the award winning documentary film about the first all African American climbing team to take on America's highest peak. Energized and informed by his experience on Denali as part of this team, Scott has become more and more engaged in increasing the diversity of the coalition of people standing up for the environment.

Scott, the article is great and I'm proud to call you my friend. Patagonia, you're corporate ethos is an example to be held up. Loved the stand you took in Utah at O.R. this year. Keep up the good work everyone.